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Pay TV channels were more free to do what they wanted than free-to-air networks.This sampling below is only a continuation of what came in the two years before, and after: Writer/director Jill Soloway's comedy-drama (her debut feature) provided "the cure for the common marriage" - the film's tagline, regarding the sexual awakening ("afternoon delight") of the female protagonist.Jesse also had a 14 year-old teenaged son named Hank (Seamus Davey-Fitzpatrick) who lived in Chicago with Jesse's (now) ex-wife.A gift from a couple (Panos Koronis and Rachel Tsangari) in their guest house offered them a night away from the twins in a local hotel suite.

A group of friends were still guilt-ridden about April's disappearance, and seemed to blame the sole survivor of the event years earlier - a pierced and goth-looking Bianca (Marylee Osborne), who was outcast from the group and hunting for the killer on her own.

Writer/director Henrique Couto's low-budget and low-quality horror-thriller was a tribute to the slasher films of the 1980s, with very abundant nudity (in a series of completely gratuitous nude sequences with mostly very buxom females), violence, and death scenes perpetrated by a masked killer.

It was reminiscent of The Slumber Party Massacre (1982), The House On Sorority Row (1983), and Sorority House Massacre (1986).

The affluent, secular-Jewish couple had a cute 5 year-old son (Sawyer Ever).

The conflicted Rachel was becoming increasingly unfulfilled and uptight, even though she realized she had wealth and a comfortable, secure life.

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